Weekend Box Office (August 19 - 21, 2005)
by Gitesh Pandya
THIS WEEKEND The sex-starved comedy The 40-Year-Old Virgin landed in the top spot in its opening weekend scoring $21.4M in its first try with moviegoers, according to final studio figures. Universal launched the R-rated film in 2,845 theaters and averaged a strong $7,530 per site. Starring Steve Carell, Virgin beat out three other new releases plus all holdovers to lead a marketplace that was witnessing the usual late summer slowdown. Reviews were somewhat favorable for the raunchy comedy.
Wes Craven scored a solid bow for his new suspense thriller Red Eye which opened in second with $16.2M from 3,079 theaters. Averaging $5,251 per venue, the PG-13 film about an assassination plot on a plane played to a young female audience. Studio research from DreamWorks showed that 60% of the audience was under 25 while 58% was female.
Paramount's revenge drama Four Brothers dropped 41% in its second weekend falling from first to third with $12.5M. Budgeted at over $40M, the Mark Wahlberg pic has grossed $43.1M in ten days and should find its way to $75-80M. Off 32% in its sixth weekend was New Line's Wedding Crashers with $8M pushing the remarkable cume to $177.6M.
The Universal thriller The Skeleton Key fell 52% in its second weekend to $7.7M. The $43M Kate Hudson vehicle has scared up $30.4M in ten days and looks headed for $45-50M. March of the Penguins continued its endless journey with $6.5M sliding a mere 5%. The hit doc has collected $48.4M to date with much more still to come. The Dukes of Hazzard fell 54% to $6M in its third weekend giving Warner Bros. $69.1M in 17 days.
Disney's CG animated film Valiant debuted in eighth place with a weak take of only $5.9M. Playing in 2,014 theaters, the G-rated film about a courageous pigeon averaged only $2,937 per theater.
Charlie and the Chocolate Factory grossed $4.4M, off 40%, boosting the tally to $192.6M. Disney's family comedy Sky High slipped just 36% to $4M for a cume of $50.9M.
Fox's motorcycle action drama Supercross crashed and burned in its opening weekend taking in just $1.3M. Charging into 1,621 theaters, the PG-13 pic averaged a pitiful $820 and grossed $2M since its Wednesday debut.
Three films fell from the top ten over the weekend. Sony's Rob Schneider comedy Deuce Bigalow: European Gigolo stumbled 60% in its second weekend to $3.8M giving the sequel only $17.4M in ten days. The $22M film should reach a disappointing $22-24M.
The Warner Bros. romantic comedy Must Love Dogs tumbled 51% to $2.2M boosting the total to $39M. The Diane Lane-John Cusack film should finish with about $45M. Miramax's The Great Raid crumbled 46% in its second mission and captured $1.8M to lift its ten-day tally to a weak $6.5M. The World War II saga looks to end its run quickly with $10M.
Among expanding indie films, Focus widened its Bill Murray comedy Broken Flowers from 118 to 389 locations and grossed $2.3M for a $6,038 average. ThinkFilm expanded its foul-mouthed doc The Aristocrats from 86 to 172 sites and took in $666,449 for a $3,920 average. Cumes stand at $6M and $2.7M, respectively.
The top ten films grossed $92.7M which was down 4% from last year when The Exorcist: The Beginning opened at number one with $18.1M; but up 16% from 2003 when Freddy vs. Jason retained the top spot with $13.2M.
Compared to projections, The 40-Year-Old Virgin and Red Eye both debuted a couple of notches ahead of my respective projections of $17M and $13M. Valiant bowed weaker than my $10M forecast while Supercross opened with less than half of my already bearish $5M projection over five days.
For a NEW review of Red Eye visit The Chief Report.
Be sure to check back on Thursday for a complete summary, including projections, for next weekend when The Brothers Grimm, The Cave, and Undiscovered all open.
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# | Title | Aug 19 - 21 | Aug 12 - 14 | % Chg. | Theaters | Weeks | AVG | Cumulative | Distributor |
1 | The 40-Year-Old Virgin | $ 21,422,815 | 2,845 | 1 | $ 7,530 | $ 21,422,815 | Universal | ||
2 | Red Eye | 16,167,662 | 3,079 | 1 | 5,251 | 16,167,662 | DreamWorks | ||
3 | Four Brothers | 12,487,537 | 21,176,925 | -41.0 | 2,649 | 2 | 4,714 | 43,118,074 | Paramount |
4 | Wedding Crashers | 8,002,613 | 11,834,614 | -32.4 | 2,920 | 6 | 2,741 | 177,642,603 | New Line |
5 | The Skeleton Key | 7,725,495 | 16,057,945 | -51.9 | 2,774 | 2 | 2,785 | 30,448,770 | Universal |
6 | March of the Penguins | 6,487,696 | 6,848,205 | -5.3 | 2,102 | 9 | 3,086 | 48,444,218 | Warner Ind. |
7 | The Dukes of Hazzard | 5,978,292 | 13,011,202 | -54.1 | 3,404 | 3 | 1,756 | 69,070,528 | Warner Bros. |
8 | Valiant | 5,914,722 | 2,014 | 1 | 2,937 | 5,914,722 | Buena Vista | ||
9 | Charlie and the Chocolate Factory | 4,434,453 | 7,412,391 | -40.2 | 2,575 | 6 | 1,722 | 192,638,088 | Warner Bros. |
10 | Sky High | 4,034,895 | 6,309,670 | -36.1 | 2,145 | 4 | 1,881 | 50,862,532 | Buena Vista |
11 | Deuce Bigalow: European Gigolo | 3,807,221 | 9,626,287 | -60.4 | 3,127 | 2 | 1,218 | 17,381,752 | Sony |
12 | Broken Flowers | 2,349,001 | 1,717,306 | 36.8 | 389 | 3 | 6,039 | 5,977,086 | Focus Features |
13 | Must Love Dogs | 2,241,228 | 4,575,046 | -51.0 | 1,809 | 4 | 1,239 | 39,028,308 | Warner Bros. |
14 | The Great Raid | 1,820,664 | 3,376,009 | -46.1 | 920 | 2 | 1,979 | 6,549,818 | Miramax |
15 | Supercross | 1,330,520 | 1,621 | 1 | 821 | 2,010,962 | Fox | ||
16 | War of the Worlds | 1,057,340 | 2,158,694 | -51.0 | 713 | 8 | 1,483 | 230,614,825 | Paramount |
17 | Fantastic Four | 1,032,450 | 2,342,797 | -55.9 | 879 | 7 | 1,175 | 150,668,328 | Fox |
18 | The Aristocrats | 666,449 | 867,171 | -23.1 | 170 | 4 | 3,920 | 2,717,241 | ThinkFilm |
19 | Batman Begins | 632,369 | 1,050,497 | -39.8 | 397 | 10 | 1,593 | 202,285,638 | Warner Bros. |
20 | Stealth | 558,334 | 2,151,768 | -74.1 | 707 | 4 | 790 | 31,200,155 | Sony |
Top 5 | $ 65,806,122 | $ 71,706,973 | -8.2 | ||||||
Top 10 | 92,656,180 | 100,228,294 | -7.6 | ||||||
Top 20 | 108,151,756 | 114,514,786 | -5.6 | ||||||
Top 20 vs. 2004 | 108,151,756 | 111,159,023 | -2.7 |
This column is updated three times each week: Thursday (upcoming weekend's summary), Sunday (post-weekend analysis with estimates), and Monday night (actuals). Data source: Exhibitor Relations. Opinions expressed in this column are those solely of the author.
Last Updated : August 23, 2005 at 9:30AM EDT